![]() Opera in 3 acts, Francesco Maria Piave, after George Gordon Byron's poem The Corsair. Opera in 4 acts, Alphonse Royer & Gustave Vaëz. Jérusalem ( Académie Royale de Musique, Paris).Opera in 4 acts, Andrea Maffei, after Friedrich Schiller's drama Die Räuber Opera in 4 acts, Francesco Maria Piave, after William Shakespeare's play. Macbeth ( Teatro della Pergola, Florence).Opera in a prologue & 3 acts, Temistocle Solera (and Francesco Maria Piave), after the play Attila, König der Hunnen by Zacharias Werner. Opera in a prologue and 2 acts, Salvatore Cammarano, after Voltaire's tragedy Alzire, ou les Américains. Opera in a prologue & 3 acts, Temistocle Solera, after Friedrich Schiller's drama Die Jungfrau von Orleans. Giovanna d'Arco ( Teatro alla Scala, Milan).Opera in 3 acts, Francesco Maria Piave, after Lord Byron's play The Two Foscari. I due Foscari ( Teatro Argentina, Rome).Opera in 4 acts, Francesco Maria Piave, after the play Hernani by Victor Hugo. Opera in 4 acts, Temistocle Solera, after the poem of the same name by Tommaso Grossi. I lombardi alla prima crociata ( Teatro alla Scala, Milan).Opera in 4 parts, Temistocle Solera, after the play Nabucodonosor by Anicet-Bourgeois and Francis Cornue. Nabucodonosor ( Teatro alla Scala, Milan) ( Nabucco).Melodramma giocoso in 2 acts, Felice Romani, after the comedy Le Faux Stanislas by Alexandre Vincent Pineu-Duval. Un giorno di regno ( Teatro alla Scala, Milan).Oberto, Conte di San Bonifacio ( Teatro alla Scala, Milan).His operas are among those most frequently produced in the world today. He transformed the Italian opera, with its traditional set pieces, old-fashioned librettos, and emphasis on vocal displays, into a unified musical and dramatic entity. In general, Verdi's works are most noted for their emotional intensity, tuneful melodies, and dramatic characterizations. This was followed by Verdi's last opera, Falstaff (1893), also adapted by Boito from Shakespeare, and generally considered one of the greatest of all comic operas. In his 70s, Verdi produced the supreme expression of his genius, Otello (1887), composed to a libretto skillfully adapted by the Italian composer and librettist Arrigo Boito from the Shakespearean tragedy Othello. Verdi's other non-operatic compositions include the dramatic cantata Inno delle nazioni (Hymn of the Nations, 1862) and the String Quartet in E minor (1873). Three years later, Verdi composed his most important non-operatic work, the Requiem Mass in memory of the Italian novelist Alessandro Manzoni. Aïda (1871), also of this period and probably Verdi's most popular opera, was commissioned by the khedive of Egypt to celebrate the opening of the Suez Canal it was first performed in Cairo. Operas written in the middle of Verdi's career, including Un ballo in maschera (A Masked Ball, 1859), La forza del destino (The Force of Destiny, 1862), and Don Carlo (1867), exhibit a greater mastery of musical characterization and a greater emphasis on the role of the orchestra than his earlier works. Verdi's three following works, Rigoletto (1851), Il Trovatore (1853), and La Traviata (1853), brought him international fame and remain among the most popular of all operas. I Lombardi (1843) and Ernani (1844), both great successes, followed, but of the next ten productions only Macbeth (1847) and Luisa Miller (1849) have survived in the permanent operatic repertory. The opera created a sensation its subject matter dealt with the Babylonian captivity of the Jews, and the Italian public regarded it as a symbol of the struggle against Austrian rule in northern Italy. After more than a year, however, the director of La Scala succeeded in inducing him to write Nabucco (1842). His next work, the comic opera Un giorno di regno (King for a Day, 1840), was a failure, and Verdi, lamenting also the recent deaths of his wife and two children, decided to give up composing. ![]() His first opera, Oberto, was produced at La Scala with some success in 1839. He returned to Busseto in 1833 as conductor of the Philharmonic Society.Īt the age of 25 Verdi again went to Milan. Then, upon being rejected in 1832, because of his age, by the Milan Conservatory, he became a pupil of the Milanese composer Vincenzo Lavigna. Giuseppe Fortunino Francesco Verdi (OctoJanuary 27, 1901) was born in Roncole in the former duchy of Parma, he first studied music in the neighboring town of Busseto. I mean that in all seriousness, and by learning I do not mean knowledge of music." ~ Verdi, 1869 ![]() "Of all composers, past and present, I am the least learned.
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